Search results for "Shutter headboard" in Home Design Ideas

We opted for a rich colour palette of teals, blue greys and rosewood reds. Painting cabinetry and original shutters in tone on tone shades of Farrow & Ball. And adding organic touches via the live edge bedside tables, mid century bench at the end of the bed. And then adding layers of textural interest, clashing patterns and tactile fabrics to dress the super kingsize bed.
Brass Bert Frank bedside pendant lights were hung low to enhance the impressive ceiling height and also to save crucial space for storage, allowing space for the couple and their growing family.

Inspiration for a medium sized classic master bedroom in Melbourne with white walls, carpet and no fireplace.

Architecturally inspired split level residence offering 5 bedrooms, 3 bathrooms, powder room, media room, office/parents retreat, butlers pantry, alfresco area, in ground pool plus so much more. Quality designer fixtures and fittings throughout making this property modern and luxurious with a contemporary feel. The clever use of screens and front entry gatehouse offer privacy and seclusion.

Hocking Stuart
Photo of a large classic guest bedroom in Melbourne with white walls, carpet, no fireplace and beige floors.
Photo of a large classic guest bedroom in Melbourne with white walls, carpet, no fireplace and beige floors.

Photo of a large contemporary master and grey and brown bedroom in London with beige walls, carpet, beige floors, wallpapered walls and a feature wall.

Jodie Johnson Photography
This is an example of a medium sized coastal bedroom in Melbourne with white walls, carpet and grey floors.
This is an example of a medium sized coastal bedroom in Melbourne with white walls, carpet and grey floors.

Mark Bolton
This is an example of a medium sized traditional bedroom in London with grey walls, medium hardwood flooring and brown floors.
This is an example of a medium sized traditional bedroom in London with grey walls, medium hardwood flooring and brown floors.

Mark Bolton
Medium sized traditional bedroom in London with grey walls, medium hardwood flooring and brown floors.
Medium sized traditional bedroom in London with grey walls, medium hardwood flooring and brown floors.

Inspiration for a medium sized guest bedroom in Auckland with white walls, carpet, no fireplace and beige floors.

Alexander Olivera
Medium sized scandi master and grey and silver bedroom in Barcelona with beige walls, no fireplace and light hardwood flooring.
Medium sized scandi master and grey and silver bedroom in Barcelona with beige walls, no fireplace and light hardwood flooring.

Inspiration for a medium sized contemporary bedroom in London with blue walls and dark hardwood flooring.

Inspiration for a large classic master and grey and white bedroom in Perth with carpet and no fireplace.

This is an example of a medium sized contemporary bedroom in London with white walls, brown floors and no fireplace.

This is an example of a medium sized traditional bedroom in London with grey walls, light hardwood flooring and beige floors.

Photography by Richard Chivers https://www.rchivers.co.uk/
Island Cottage is an existing dwelling constructed in 1830, in a conservation area at the southern limit of Sidlesham Quay village, West Sussex. The property was highlighted by the local authority as a key example of rural vernacular character for homes in the area, but is also sited in a major flood risk area. Such a precarious context therefore demanded a considered approach, however the original building had been extended over many years mostly with insensitive and cumbersome extensions and additions.
Our clients purchased Island Cottage in 2015. They had a strong sense of belonging to the area, as both had childhood memories of visiting Pagham Harbour and were greatly drawn to live on the South Coast after many years working and living in London. We were keen to help them discover and create a home in which to dwell for many years to come. Our brief was to restore the cottage and reconcile it’s history of unsuitable extensions to the landscape of the nature reserve of Sidlesham and the bay of Pagham beyond. The original house could not be experienced amongst the labyrinthine rooms and corridors and it’s identity was lost to recent additions and refurbishments. Our first move was to establish the lines of the original cottage and draw a single route through the house. This is experienced as a simple door from the library at the formal end of the house, leading from north to south straight towards the rear garden on both floors.
By reinstating the library and guest bedroom/bathroom spaces above we were able to distinguish the original cottage from the later additions. We were then challenged by the new owners to provide a calm and protective series of spaces that make links to the landscape of the coast. Internally the cottage takes the natural materials of the surrounding coastline, such as flint and timber, and uses these to dress walls and floors. Our proposals included making sense of the downstairs spaces by allowing a flowing movement between the rooms. Views through and across the house are opened up so to help navigate the maze like spaces. Each room is open on many sides whilst limiting the number of corridor spaces, and the use of split levels help to mark one space to the next.
The first floor hosts three bedrooms, each of unique style and outlook. The main living space features a corner window, referencing an open book set into the wall at the height of a desk. Log burners, sliding doors, and uncovered historic materials are part of the main reception rooms. The roof is accessible with a steep stair and allows for informal gathering on a grass terrace which gains views far beyond the immediate gardens and neighbouring nature reserve. The external facades have been uplifted with larch cladding, new timber windows, and a series of timber loggias set into the gardens. Our landscaping strategy alleviates flood risk by providing a bung to the garden edge, whilst encouraging native species planting to take over the new timber structure that is directly connected to the house. This approach will help to plant the house in its surroundings, which is vital given the local connection to the Sidlesham Nature Reserve.
Throughout the project the client sourced much of the interior finishes and fixtures directly from salvage yards and online second hand boutiques. The house is decorated with reclaimed materials referencing the worn and weary effect of time spent on the beach or at the sea side.
Now complete, the house genuinely feels reconciled to its place, a haven for our clients, and an exemplary project for our future clients who wish to link their childhoods with their future homes.
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