We have just purchased what we hope to be our last house. It is a very big plot and we are looking to knock down and get planning for a very large house over 4 floors. (12,000 sq ft). We know what we want internally however our issue lies with the external look and feel. My wife wants classic new build, with pillar entrance, sash box windows with stone cills or surroundings (Surrey Commuter belt!). I like contempory white, modern, square, glass walls, feature cladded walls with balconies (Beverly Hills!) Our compromise is classic at the front contempory at the rear. We need help! Hopeful designjunction will help offer solutions so we can move forward.

Hi Evie. The reason I've been slow to post photos is because my house is very much still a building site and work in very slow progress. I have flung paint on walls a relief from 1927 plaster and peeling wallpaper that went up decades ago. I haven't hung pictures yet as the walls are so hard - picture hooks break - and the friend who is going to do the task hasn't yet been. So, none of these photos will persuade you to use colour - the walls are bleak. But I'm posting them in the right spirit. As for feature walls, I have never liked them. For info, Kate Watson-Smyth said, in a recent post, that they are "so ova". I associate them with the 1970s, which is when I believe they first emerged. I like all over colour; I find it much less intrusive than one wall that stands out awkwardly. As for my furniture, it's mostly interim - on loan as I had nothing after chucking out my two sofas which I bitterly regret. Anyway, with all those embarrassing provisos, here we go. Terracotta sitting room: Caravan by Paper & Paint Library (it's not a current colour; my local independent paint shop keeps records of previous colours and identified it for me); it goes up to the picture rail; I haven't yet found the colour I want above it and on the ceiling; the picture rail, window frames, doors and door frames will all be Caravan, too; the room is really bitty (four doors, jutting out bits, fussy door and windows into the garden, a big fireplace, original tiles around the fire area that I wanted to complement but tone down, and a busy stained glass window) and needs blanket coverage to make it seem less busy. .Green bedroom: Sanderson Laurel below the picture rail; Goblin Green above it and on the ceiling; picture rail and all other woodwork not yet painted; I might do them in a linen colour to tie in with the bed frame though I hate the bed frame and am desperate for a new one. You can see that I'm work in progress by the undealt-with and unpainted grille covering the hole where the fireplace was. Hideous and offensive; longing to put it right. Lots of pictures/paintings to be hung all over. Blue bedroom: This blue is a bit flat but it was only after painting it that I discovered the colour I really want - Abigail Ahern's Bowery Blue which despite being intense has a real lift to it giving it life and vibrancy. The ceiling in here is the wrong blue (bought in haste); I will use a lighter blue. The unhung painting on the right (sorry it's not more visible) is so much more vibrant against this blue than it was against the pale yellow of the wall it was hung on in my previous home. I will have mirrors above the bedhead and a gallery wall opposite plus a mirror near the small window to throw a bit more light in this seriously dark bedroom (dismally dark before I painted it interestingly dark). Bronze shower room: Impossible to photograph this as it's a tiny room; the tiles in the shower area are subtly jazzy and moody. I love having it open (I grew up in India where all showers were in the middle of the room so I've never understood the closed-in box version or the fiddly over the bath option). The bronze tiles are much richer in colour than the photo conveys; the walls are Sanderson Brick Light which looks pale and peculiar in this photo; it is a lot more interesting than on the paint card and picks up on colours streaking through the tiles; it's not such a stark contrast as the photo conveys. That's it. The bedroom that will be a mustardy yellow isn't painted yet so I can't show the walls in there. And, again, apologies for the really unsophisticated furniture and mismatched upholstery, etc. Lots still to be done!

What a fabulous feature! Rather than hide it with curtains, why not use a fine translucent material that allows a more subtle visibility, couple with a few plants and some low mood lighting to turn it into a little eco-world?

I like the very first photo uploaded by Kingfisher. The flat matt stone paint finish to the mouldings and wall is a good choice that will go with just about anything. You could use the same paint on the skirting and coving. This treatment will give the room height and will feel more spacious. Perhaps use an historic off white for the ceiling. I would be inclined to change the light fitting. I am quite taken with the white ceramic pendant lights that are becoming increasingly popular. I have seen one on Houzz that looked like an upside down water lily flower.