Roundhouse

Home Design & Renovation Professionals , Kitchen Designers
75 Reviews
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Roundhouse
75 Reviews

Case Study: Cheung

Can a knockout modern kitchen harmonise with Listed 19th-century architecture? Visit one former Dock Master’s House in London and you’ll be in no doubt that it can. Symmetry and sympathy were the watchwords for this project, which features an antique brass metal island curved to match the bay window, and a wealth of discreetly organised appliances and storage space - including a large fridge and several ovens.
Project Year: 2022
Country: United Kingdom
The client’s house was originally the Dock Master’s House and is a listed property dating back to 1825. The kitchen design therefore had to remain empathetic to the existing architecture using more traditional furniture for the perimeter of the room alongside the statement island. Symmetry was key...
Cheung
The client’s house was originally the Dock Master’s House and is a listed property dating back to 1825. The kitchen design therefore had to remain empathetic to the existing architecture using more traditional furniture for the perimeter of the room alongside the statement island. Symmetry was key...
Cheung
The client’s house was originally the Dock Master’s House and is a listed property dating back to 1825. The kitchen design therefore had to remain empathetic to the existing architecture using more traditional furniture for the perimeter of the room alongside the statement island. Symmetry was key...
Cheung
The client’s house was originally the Dock Master’s House and is a listed property dating back to 1825. The kitchen design therefore had to remain empathetic to the existing architecture using more traditional furniture for the perimeter of the room alongside the statement island. Symmetry was key...
Cheung
The client’s house was originally the Dock Master’s House and is a listed property dating back to 1825. The kitchen design therefore had to remain empathetic to the existing architecture using more traditional furniture for the perimeter of the room alongside the statement island. Symmetry was key...
Cheung
The client’s house was originally the Dock Master’s House and is a listed property dating back to 1825. The kitchen design therefore had to remain empathetic to the existing architecture using more traditional furniture for the perimeter of the room alongside the statement island. Symmetry was key...
Cheung
The client’s house was originally the Dock Master’s House and is a listed property dating back to 1825. The kitchen design therefore had to remain empathetic to the existing architecture using more traditional furniture for the perimeter of the room alongside the statement island. Symmetry was key...
Cheung
The client’s house was originally the Dock Master’s House and is a listed property dating back to 1825. The kitchen design therefore had to remain empathetic to the existing architecture using more traditional furniture for the perimeter of the room alongside the statement island. Symmetry was key...
Cheung
The client’s house was originally the Dock Master’s House and is a listed property dating back to 1825. The kitchen design therefore had to remain empathetic to the existing architecture using more traditional furniture for the perimeter of the room alongside the statement island. Symmetry was key...
Cheung
The client’s house was originally the Dock Master’s House and is a listed property dating back to 1825. The kitchen design therefore had to remain empathetic to the existing architecture using more traditional furniture for the perimeter of the room alongside the statement island. Symmetry was key...
Cheung
The client’s house was originally the Dock Master’s House and is a listed property dating back to 1825. The kitchen design therefore had to remain empathetic to the existing architecture using more traditional furniture for the perimeter of the room alongside the statement island. Symmetry was key...
Cheung
The client’s house was originally the Dock Master’s House and is a listed property dating back to 1825. The kitchen design therefore had to remain empathetic to the existing architecture using more traditional furniture for the perimeter of the room alongside the statement island. Symmetry was key...
Cheung