The existing confused plan of this rambling 1950’s Venice Beach CA bungalow is simplified to maximize the view of our handsome protagonist: an existing Chinese Lace Bark Elm Ulmus Parvifolia growing poignantly in the center of the rear garden. A new entry sequence is developed that creates a more intimate experience at the point of arrival, forcing the visitor to experience the longest view as they move through the house which continues to unfold with cyclical circulation routes to extend the feeling of the space.

A master ‘cabana’ suite, feeling somewhat at sea from the main house (though accessible secretly from it as well as across the new deck), is oriented to the rear, while a discrete guest suite exists quite independently at the front.

The ceilings inside are sculpture out to form varying scales and moods within open plan spaces – that can be subtly subdivided with hidden full height doors – with a modestly sized but high impact skylight ‘slither’ at the tallest point.

The garden has planted to create a courtyard feel; no neighbours are visible despite the relatively dense residential setting.