Search results for "Painted brick house" in Home Design Ideas
Cathy Schwabe Architecture
View through reconstructed hall with study/guest room on the left, entry hall and then living room beyond, living room corner to right and new courtyard. Quilt by Ellen Oppenheimer. Wood flooring and wall boards were reused from the original house.
Cathy Schwabe Architecture.
Photograph by David Wakely
Van Cleave Architecture + Design
By exposing the beautiful old wrap-around porch, replacing the original arched windows and painting the house a vibrant red, an old farmhouse has instant curb appeal; with minimal budget, the renewed vitality of this farmhouse now proudly stands out on the block
O’Hara Interiors
Martha O'Hara Interiors, Interior Design | L. Cramer Builders + Remodelers, Builder | Troy Thies, Photography | Shannon Gale, Photo Styling
Please Note: All “related,” “similar,” and “sponsored” products tagged or listed by Houzz are not actual products pictured. They have not been approved by Martha O’Hara Interiors nor any of the professionals credited. For information about our work, please contact design@oharainteriors.com.
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FINNE Architects
The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider
Color Revival By Rebecca Dumas
Color Consultation using Romabio Biodomus on Brick and Benjamin Regal Select on Trim/Doors/Shutters
Design ideas for a white and large traditional brick detached house in Atlanta with a pitched roof, a shingle roof and three floors.
Design ideas for a white and large traditional brick detached house in Atlanta with a pitched roof, a shingle roof and three floors.
Moore Architects, PC
The site for this new house was specifically selected for its proximity to nature while remaining connected to the urban amenities of Arlington and DC. From the beginning, the homeowners were mindful of the environmental impact of this house, so the goal was to get the project LEED certified. Even though the owner’s programmatic needs ultimately grew the house to almost 8,000 square feet, the design team was able to obtain LEED Silver for the project.
The first floor houses the public spaces of the program: living, dining, kitchen, family room, power room, library, mudroom and screened porch. The second and third floors contain the master suite, four bedrooms, office, three bathrooms and laundry. The entire basement is dedicated to recreational spaces which include a billiard room, craft room, exercise room, media room and a wine cellar.
To minimize the mass of the house, the architects designed low bearing roofs to reduce the height from above, while bringing the ground plain up by specifying local Carder Rock stone for the foundation walls. The landscape around the house further anchored the house by installing retaining walls using the same stone as the foundation. The remaining areas on the property were heavily landscaped with climate appropriate vegetation, retaining walls, and minimal turf.
Other LEED elements include LED lighting, geothermal heating system, heat-pump water heater, FSA certified woods, low VOC paints and high R-value insulation and windows.
Hoachlander Davis Photography
FINNE Architects
The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider
Julie Williams Design
Eric Rorer Photography
Inspiration for a classic bathroom in San Francisco with a submerged sink, raised-panel cabinets, white cabinets, a built-in bath, an alcove shower, white tiles, metro tiles and beige worktops.
Inspiration for a classic bathroom in San Francisco with a submerged sink, raised-panel cabinets, white cabinets, a built-in bath, an alcove shower, white tiles, metro tiles and beige worktops.
General Shale
Charming cottage featuring Winter Haven brick using Federal White mortar.
Inspiration for a small and white traditional bungalow brick detached house in Other with a pitched roof and a shingle roof.
Inspiration for a small and white traditional bungalow brick detached house in Other with a pitched roof and a shingle roof.
Mitchell Wall Architecture and Design
Alise O'Brien Photography
As Featured in http://www.stlmag.com/St-Louis-AT-HOME/ The Forever House
Practicality, programming flexibility, amenities, innovative design, and rpojection toward the site and landscaping are common goals. Sometimes the site's inherent contradictions establish the design and the final design pays homage to the site. Such is the case in this Classic home, built in Old Towne Clayton on a City lot.
The family had one basic requirement: they wanted a home to last their entire lives. The result of the design team is a stack of three floors, each with 2,200 s.f.. This is a basic design, termed a foursquare house, with four large rooms on each floor - a plan that has been used for centuries. The exterior is classic: the interior provides a twist. Interior architectural details call to mind details from the Arts and Crafts movement, such as archways throughout the house, simple millwork, and hardwre appropriate to the period.
Sims Hilditch
Large rural galley utility room in Dorset with a belfast sink, recessed-panel cabinets, grey cabinets, granite worktops, beige walls, brick flooring, beige floors and black worktops.
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Cameo Kitchens, Inc.
Features: Custom Wood Hood with Pull Out Spice Racks,
Mantel, Motif, and Corbels; Varied Height Cabinetry; Art for
Everyday Turned Posts # F-1; Art for Everyday Corbels
# CBL-TCY1, Beadboard; Wood Mullion and Clear
Beveled Glass Doors; Bar Area; Double Panel Doors;
Coffered Ceiling; Enhancement Window; Art for
Everyday Mantels # MTL-A1 and # MTL-A0; Desk Area
Cabinets- Main Kitchen: Honey Brook Custom in Maple Wood
with Seapearl Paint and Glaze; Voyager Full Overlay Door
Style with C-2 Lip
Cabinets- Island & Bar Area: Honey Brook Custom in Cherry
Wood with Colonial Finish; Voyager Full Overlay Door
Style with C-2 Lip
Countertops- Main Kitchen: Golden Beach Granite with
Double Pencil Edge
Countertops- Island and Bar Area: Golden Beach Granite
with Waterfall Edge
Kitchen Designer: Tammy Clark
Photograph: Kelly Keul Duer
Triangle Brick Company
Offered exclusively under Triangle Brick Company's Select product tier, our Oyster Bay brick's vintage-inspired, white-washed appearance gives a surprisingly modern feel to your building project. The pearl-colored surface of this tumbled brick, along with subtle blue-gray accents, finish off the look for an eye-catching, old-world appeal.
Normandy Remodeling
This dining room has a dramatic design, with black brick and a vaulted, wood plank ceiling.
This is an example of a medium sized midcentury dining room in Chicago with black walls, porcelain flooring and no fireplace.
This is an example of a medium sized midcentury dining room in Chicago with black walls, porcelain flooring and no fireplace.
Hoffman Grayson Architects LLP
Originally, the front of the house was on the left (eave) side, facing the primary street. Since the Garage was on the narrower, quieter side street, we decided that when we would renovate, we would reorient the front to the quieter side street, and enter through the front Porch.
So initially we built the fencing and Pergola entering from the side street into the existing Front Porch.
Then in 2003, we pulled off the roof, which enclosed just one large room and a bathroom, and added a full second story. Then we added the gable overhangs to create the effect of a cottage with dormers, so as not to overwhelm the scale of the site.
The shingles are stained Cabots Semi-Solid Deck and Siding Oil Stain, 7406, color: Burnt Hickory, and the trim is painted with Benjamin Moore Aura Exterior Low Luster Narraganset Green HC-157, (which is actually a dark blue).
Photo by Glen Grayson, AIA
Search results for Painted Brick House in Home Photos
Suiter Construction Company, Inc.
Beautiful screened in porch using IPE decking and Catawba Vista brick with white mortar.
Design ideas for a traditional back screened veranda in Charleston with decking and a roof extension.
Design ideas for a traditional back screened veranda in Charleston with decking and a roof extension.
FINNE Architects
The Port Ludlow Residence is a compact, 2400 SF modern house located on a wooded waterfront property at the north end of the Hood Canal, a long, fjord-like arm of western Puget Sound. The house creates a simple glazed living space that opens up to become a front porch to the beautiful Hood Canal.
The east-facing house is sited along a high bank, with a wonderful view of the water. The main living volume is completely glazed, with 12-ft. high glass walls facing the view and large, 8-ft.x8-ft. sliding glass doors that open to a slightly raised wood deck, creating a seamless indoor-outdoor space. During the warm summer months, the living area feels like a large, open porch. Anchoring the north end of the living space is a two-story building volume containing several bedrooms and separate his/her office spaces.
The interior finishes are simple and elegant, with IPE wood flooring, zebrawood cabinet doors with mahogany end panels, quartz and limestone countertops, and Douglas Fir trim and doors. Exterior materials are completely maintenance-free: metal siding and aluminum windows and doors. The metal siding has an alternating pattern using two different siding profiles.
The house has a number of sustainable or “green” building features, including 2x8 construction (40% greater insulation value); generous glass areas to provide natural lighting and ventilation; large overhangs for sun and rain protection; metal siding (recycled steel) for maximum durability, and a heat pump mechanical system for maximum energy efficiency. Sustainable interior finish materials include wood cabinets, linoleum floors, low-VOC paints, and natural wool carpet.
House of L
In the design stages many details were incorporated in this classic kitchen to give it dimension since the surround cabinets, counters and backsplash were white. Polished nickel plumbing, hardware and custom grilles on feature cabinets along with the island pendants add shine, while finer details such as inset doors, furniture kicks on non-working areas and lofty crown details add a layering effect in the millwork. Surround counters as well as 3" x 6" backsplash tile are Calacutta Gold stone, while island counter surface is walnut. Conveniences include a 60" Wolf range, a 36" Subzero refrigerator and freezer and two farmhouse sinks by Kallista. The kitchen also boasts two dishwashers (one in the island and one to the right of the sink cabinet under the window) and a coffee bar area with a built-in Miele. Photo by Pete Maric.
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