Search results for "Exposed roof truss" in Home Design Ideas
Dreyer Architecture
This open plan kitchen / living / dining room features a large south facing window seat and cantilevered cast concrete central kitchen island.
Design ideas for a medium sized farmhouse l-shaped open plan kitchen in Other with a built-in sink, flat-panel cabinets, black cabinets, concrete worktops, orange splashback, integrated appliances, light hardwood flooring, an island, grey worktops and exposed beams.
Design ideas for a medium sized farmhouse l-shaped open plan kitchen in Other with a built-in sink, flat-panel cabinets, black cabinets, concrete worktops, orange splashback, integrated appliances, light hardwood flooring, an island, grey worktops and exposed beams.
Hugh Lofting Timber Framing, Inc.
Hugh Lofting Timber Framing’s heavy timber roof trusses provided the structural integrity for the front to back two-story space of this Cape May beach house. The modified king trusses used throughout the home were stained a dark brown to provide contrast against the old-fashioned white bead-board ceiling. The roof truss system runs front to back of the house and allows for broad expanses of windows that overlook the ocean on both levels. Exposed trusses also become a feature at night when you're looking in from the outside.
Photos By: Leslie Kipp
ODS Architecture
Featured in the May 2012 Marin AIA Home Tour, this 4,000 sf. remodeled hillside home was designed to improve the curb appeal of the exterior while the majority of the work focused on opening up the interior spaces to the views beyond. The new façade glows with a shimmering new standing seam metal roof, chimney cap and aluminum and sandblasted glass garage door. The entry has a new stone floor; walnut and sandblasted glass french doors and subtle lighting highlight new planting areas.
Photo Credit: John Sutton Photography
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FINNE Architects
The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider
Centre Sky Architecture Ltd
Designed as a prominent display of Architecture, Elk Ridge Lodge stands firmly upon a ridge high atop the Spanish Peaks Club in Big Sky, Montana. Designed around a number of principles; sense of presence, quality of detail, and durability, the monumental home serves as a Montana Legacy home for the family.
Throughout the design process, the height of the home to its relationship on the ridge it sits, was recognized the as one of the design challenges. Techniques such as terracing roof lines, stretching horizontal stone patios out and strategically placed landscaping; all were used to help tuck the mass into its setting. Earthy colored and rustic exterior materials were chosen to offer a western lodge like architectural aesthetic. Dry stack parkitecture stone bases that gradually decrease in scale as they rise up portray a firm foundation for the home to sit on. Historic wood planking with sanded chink joints, horizontal siding with exposed vertical studs on the exterior, and metal accents comprise the remainder of the structures skin. Wood timbers, outriggers and cedar logs work together to create diversity and focal points throughout the exterior elevations. Windows and doors were discussed in depth about type, species and texture and ultimately all wood, wire brushed cedar windows were the final selection to enhance the "elegant ranch" feel. A number of exterior decks and patios increase the connectivity of the interior to the exterior and take full advantage of the views that virtually surround this home.
Upon entering the home you are encased by massive stone piers and angled cedar columns on either side that support an overhead rail bridge spanning the width of the great room, all framing the spectacular view to the Spanish Peaks Mountain Range in the distance. The layout of the home is an open concept with the Kitchen, Great Room, Den, and key circulation paths, as well as certain elements of the upper level open to the spaces below. The kitchen was designed to serve as an extension of the great room, constantly connecting users of both spaces, while the Dining room is still adjacent, it was preferred as a more dedicated space for more formal family meals.
There are numerous detailed elements throughout the interior of the home such as the "rail" bridge ornamented with heavy peened black steel, wire brushed wood to match the windows and doors, and cannon ball newel post caps. Crossing the bridge offers a unique perspective of the Great Room with the massive cedar log columns, the truss work overhead bound by steel straps, and the large windows facing towards the Spanish Peaks. As you experience the spaces you will recognize massive timbers crowning the ceilings with wood planking or plaster between, Roman groin vaults, massive stones and fireboxes creating distinct center pieces for certain rooms, and clerestory windows that aid with natural lighting and create exciting movement throughout the space with light and shadow.
FINNE Architects
The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider
Hugh Lofting Timber Framing, Inc.
Hugh Lofting Timber Framing’s heavy timber roof trusses provided the structural integrity for the front to back two-story space of this Cape May beach house. The modified king trusses used throughout the home were stained a dark brown to provide contrast against the old-fashioned white bead-board ceiling. The roof truss system runs front to back of the house and allows for broad expanses of windows that overlook the ocean on both levels. Exposed trusses also become a feature at night when you're looking in from the outside.
Photos By: Leslie Kipp
Hugh Lofting Timber Framing, Inc.
Hugh Lofting Timber Framing’s heavy timber roof trusses provided the structural integrity for the front to back two-story space of this Cape May beach house. The modified king trusses used throughout the home were stained a dark brown to provide contrast against the old-fashioned white bead-board ceiling. The roof truss system runs front to back of the house and allows for broad expanses of windows that overlook the ocean on both levels. Exposed trusses also become a feature at night when you're looking in from the outside.
Photos By: Leslie Kipp
Centre Sky Architecture Ltd
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Designed as a prominent display of Architecture, Elk Ridge Lodge stands firmly upon a ridge high atop the Spanish Peaks Club in Big Sky, Montana. Designed around a number of principles; sense of presence, quality of detail, and durability, the monumental home serves as a Montana Legacy home for the family.
Throughout the design process, the height of the home to its relationship on the ridge it sits, was recognized the as one of the design challenges. Techniques such as terracing roof lines, stretching horizontal stone patios out and strategically placed landscaping; all were used to help tuck the mass into its setting. Earthy colored and rustic exterior materials were chosen to offer a western lodge like architectural aesthetic. Dry stack parkitecture stone bases that gradually decrease in scale as they rise up portray a firm foundation for the home to sit on. Historic wood planking with sanded chink joints, horizontal siding with exposed vertical studs on the exterior, and metal accents comprise the remainder of the structures skin. Wood timbers, outriggers and cedar logs work together to create diversity and focal points throughout the exterior elevations. Windows and doors were discussed in depth about type, species and texture and ultimately all wood, wire brushed cedar windows were the final selection to enhance the "elegant ranch" feel. A number of exterior decks and patios increase the connectivity of the interior to the exterior and take full advantage of the views that virtually surround this home.
Upon entering the home you are encased by massive stone piers and angled cedar columns on either side that support an overhead rail bridge spanning the width of the great room, all framing the spectacular view to the Spanish Peaks Mountain Range in the distance. The layout of the home is an open concept with the Kitchen, Great Room, Den, and key circulation paths, as well as certain elements of the upper level open to the spaces below. The kitchen was designed to serve as an extension of the great room, constantly connecting users of both spaces, while the Dining room is still adjacent, it was preferred as a more dedicated space for more formal family meals.
There are numerous detailed elements throughout the interior of the home such as the "rail" bridge ornamented with heavy peened black steel, wire brushed wood to match the windows and doors, and cannon ball newel post caps. Crossing the bridge offers a unique perspective of the Great Room with the massive cedar log columns, the truss work overhead bound by steel straps, and the large windows facing towards the Spanish Peaks. As you experience the spaces you will recognize massive timbers crowning the ceilings with wood planking or plaster between, Roman groin vaults, massive stones and fireboxes creating distinct center pieces for certain rooms, and clerestory windows that aid with natural lighting and create exciting movement throughout the space with light and shadow.
FINNE Architects
The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider
Centre Sky Architecture Ltd
Like us on facebook at www.facebook.com/centresky
Designed as a prominent display of Architecture, Elk Ridge Lodge stands firmly upon a ridge high atop the Spanish Peaks Club in Big Sky, Montana. Designed around a number of principles; sense of presence, quality of detail, and durability, the monumental home serves as a Montana Legacy home for the family.
Throughout the design process, the height of the home to its relationship on the ridge it sits, was recognized the as one of the design challenges. Techniques such as terracing roof lines, stretching horizontal stone patios out and strategically placed landscaping; all were used to help tuck the mass into its setting. Earthy colored and rustic exterior materials were chosen to offer a western lodge like architectural aesthetic. Dry stack parkitecture stone bases that gradually decrease in scale as they rise up portray a firm foundation for the home to sit on. Historic wood planking with sanded chink joints, horizontal siding with exposed vertical studs on the exterior, and metal accents comprise the remainder of the structures skin. Wood timbers, outriggers and cedar logs work together to create diversity and focal points throughout the exterior elevations. Windows and doors were discussed in depth about type, species and texture and ultimately all wood, wire brushed cedar windows were the final selection to enhance the "elegant ranch" feel. A number of exterior decks and patios increase the connectivity of the interior to the exterior and take full advantage of the views that virtually surround this home.
Upon entering the home you are encased by massive stone piers and angled cedar columns on either side that support an overhead rail bridge spanning the width of the great room, all framing the spectacular view to the Spanish Peaks Mountain Range in the distance. The layout of the home is an open concept with the Kitchen, Great Room, Den, and key circulation paths, as well as certain elements of the upper level open to the spaces below. The kitchen was designed to serve as an extension of the great room, constantly connecting users of both spaces, while the Dining room is still adjacent, it was preferred as a more dedicated space for more formal family meals.
There are numerous detailed elements throughout the interior of the home such as the "rail" bridge ornamented with heavy peened black steel, wire brushed wood to match the windows and doors, and cannon ball newel post caps. Crossing the bridge offers a unique perspective of the Great Room with the massive cedar log columns, the truss work overhead bound by steel straps, and the large windows facing towards the Spanish Peaks. As you experience the spaces you will recognize massive timbers crowning the ceilings with wood planking or plaster between, Roman groin vaults, massive stones and fireboxes creating distinct center pieces for certain rooms, and clerestory windows that aid with natural lighting and create exciting movement throughout the space with light and shadow.
kimberly peck architect
The goal of this project was to build a house that would be energy efficient using materials that were both economical and environmentally conscious. Due to the extremely cold winter weather conditions in the Catskills, insulating the house was a primary concern. The main structure of the house is a timber frame from an nineteenth century barn that has been restored and raised on this new site. The entirety of this frame has then been wrapped in SIPs (structural insulated panels), both walls and the roof. The house is slab on grade, insulated from below. The concrete slab was poured with a radiant heating system inside and the top of the slab was polished and left exposed as the flooring surface. Fiberglass windows with an extremely high R-value were chosen for their green properties. Care was also taken during construction to make all of the joints between the SIPs panels and around window and door openings as airtight as possible. The fact that the house is so airtight along with the high overall insulatory value achieved from the insulated slab, SIPs panels, and windows make the house very energy efficient. The house utilizes an air exchanger, a device that brings fresh air in from outside without loosing heat and circulates the air within the house to move warmer air down from the second floor. Other green materials in the home include reclaimed barn wood used for the floor and ceiling of the second floor, reclaimed wood stairs and bathroom vanity, and an on-demand hot water/boiler system. The exterior of the house is clad in black corrugated aluminum with an aluminum standing seam roof. Because of the extremely cold winter temperatures windows are used discerningly, the three largest windows are on the first floor providing the main living areas with a majestic view of the Catskill mountains.
Highland Builders LLC
Modern mountain aesthetic in this fully exposed custom designed ranch. Exterior brings together lap siding and stone veneer accents with welcoming timber columns and entry truss. Garage door covered with standing seam metal roof supported by brackets. Large timber columns and beams support a rear covered screened porch. (Ryan Hainey)
ROAM Architecture
These new homeowners fell in love with this home's location and size, but weren't thrilled about it's dated exterior. They approached us with the idea of turning this 1980's contemporary home into a Modern Farmhouse aesthetic, complete with white board and batten siding, a new front porch addition, a new roof deck addition, as well as enlarging the current garage. New windows throughout, new metal roofing, exposed rafter tails and new siding throughout completed the exterior renovation.
William Lee Architect & Associates, LLC
Eric Scott Photography
Design ideas for a gey classic two floor render house exterior in Boston with a pitched roof.
Design ideas for a gey classic two floor render house exterior in Boston with a pitched roof.
Centre Sky Architecture Ltd
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Designed as a prominent display of Architecture, Elk Ridge Lodge stands firmly upon a ridge high atop the Spanish Peaks Club in Big Sky, Montana. Designed around a number of principles; sense of presence, quality of detail, and durability, the monumental home serves as a Montana Legacy home for the family.
Throughout the design process, the height of the home to its relationship on the ridge it sits, was recognized the as one of the design challenges. Techniques such as terracing roof lines, stretching horizontal stone patios out and strategically placed landscaping; all were used to help tuck the mass into its setting. Earthy colored and rustic exterior materials were chosen to offer a western lodge like architectural aesthetic. Dry stack parkitecture stone bases that gradually decrease in scale as they rise up portray a firm foundation for the home to sit on. Historic wood planking with sanded chink joints, horizontal siding with exposed vertical studs on the exterior, and metal accents comprise the remainder of the structures skin. Wood timbers, outriggers and cedar logs work together to create diversity and focal points throughout the exterior elevations. Windows and doors were discussed in depth about type, species and texture and ultimately all wood, wire brushed cedar windows were the final selection to enhance the "elegant ranch" feel. A number of exterior decks and patios increase the connectivity of the interior to the exterior and take full advantage of the views that virtually surround this home.
Upon entering the home you are encased by massive stone piers and angled cedar columns on either side that support an overhead rail bridge spanning the width of the great room, all framing the spectacular view to the Spanish Peaks Mountain Range in the distance. The layout of the home is an open concept with the Kitchen, Great Room, Den, and key circulation paths, as well as certain elements of the upper level open to the spaces below. The kitchen was designed to serve as an extension of the great room, constantly connecting users of both spaces, while the Dining room is still adjacent, it was preferred as a more dedicated space for more formal family meals.
There are numerous detailed elements throughout the interior of the home such as the "rail" bridge ornamented with heavy peened black steel, wire brushed wood to match the windows and doors, and cannon ball newel post caps. Crossing the bridge offers a unique perspective of the Great Room with the massive cedar log columns, the truss work overhead bound by steel straps, and the large windows facing towards the Spanish Peaks. As you experience the spaces you will recognize massive timbers crowning the ceilings with wood planking or plaster between, Roman groin vaults, massive stones and fireboxes creating distinct center pieces for certain rooms, and clerestory windows that aid with natural lighting and create exciting movement throughout the space with light and shadow.
Visbeen Architects
Forget just one room with a view—Lochley has almost an entire house dedicated to capturing nature’s best views and vistas. Make the most of a waterside or lakefront lot in this economical yet elegant floor plan, which was tailored to fit a narrow lot and has more than 1,600 square feet of main floor living space as well as almost as much on its upper and lower levels. A dovecote over the garage, multiple peaks and interesting roof lines greet guests at the street side, where a pergola over the front door provides a warm welcome and fitting intro to the interesting design. Other exterior features include trusses and transoms over multiple windows, siding, shutters and stone accents throughout the home’s three stories. The water side includes a lower-level walkout, a lower patio, an upper enclosed porch and walls of windows, all designed to take full advantage of the sun-filled site. The floor plan is all about relaxation – the kitchen includes an oversized island designed for gathering family and friends, a u-shaped butler’s pantry with a convenient second sink, while the nearby great room has built-ins and a central natural fireplace. Distinctive details include decorative wood beams in the living and kitchen areas, a dining area with sloped ceiling and decorative trusses and built-in window seat, and another window seat with built-in storage in the den, perfect for relaxing or using as a home office. A first-floor laundry and space for future elevator make it as convenient as attractive. Upstairs, an additional 1,200 square feet of living space include a master bedroom suite with a sloped 13-foot ceiling with decorative trusses and a corner natural fireplace, a master bath with two sinks and a large walk-in closet with built-in bench near the window. Also included is are two additional bedrooms and access to a third-floor loft, which could functions as a third bedroom if needed. Two more bedrooms with walk-in closets and a bath are found in the 1,300-square foot lower level, which also includes a secondary kitchen with bar, a fitness room overlooking the lake, a recreation/family room with built-in TV and a wine bar perfect for toasting the beautiful view beyond.
Highland Builders LLC
Modern mountain aesthetic in this fully exposed custom designed ranch. Exterior brings together lap siding and stone veneer accents with welcoming timber columns and entry truss. Garage door covered with standing seam metal roof supported by brackets. Large timber columns and beams support a rear covered screened porch. (Ryan Hainey)
Search results for Exposed Roof Truss in Home Photos
FINNE Architects
The Mazama Cabin is located at the end of a beautiful meadow in the Methow Valley, on the east slope of the North Cascades Mountains in Washington state. The 1500 SF cabin is a superb place for a weekend get-a-way, with a garage below and compact living space above. The roof is “lifted” by a continuous band of clerestory windows, and the upstairs living space has a large glass wall facing a beautiful view of the mountain face known locally as Goat Wall. The project is characterized by sustainable cedar siding and
recycled metal roofing; the walls and roof have 40% higher insulation values than typical construction.
The cabin will become a guest house when the main house is completed in late 2012.
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